2 Temmuz 2012 Pazartesi

Review: Sinners & Saints "Stupid Little Songs"

To contact us Click HERE

There’s something about Charlotte singer-songwriter PerryFowler that makes you want to root for him. Maybe it’s the natural charm hecarries with him no matter if he’s waiting tables, in the audienceenthusiastically watching his Charlotte music peers, or on stage both solo andwith  Sinners & Saints (his band with Mark Baran). His demeanor is genial, never forced. The“Stupid Little Songs” on the new five track Sinners & Saints EP are nodifferent. The group delivers countrified tales of love with twangy harmoniesand rootsy instrumentation - harmonica, fiddle, etc. Those instruments blendwell, but are still allowed room to breathe on songs like “Million Dollars”where you can hear strings plucked, a fiddle weeping, and the calculated strumof the guitar. It’s the kind of song you can imagine quieting a crowd at TheThirsty Beaver on a Sunday afternoon.
“Stupid Little Songs” is deeply Southern, but contemporary. Fowler’s phrasing on “I Don’t Want to Work” for instance remindsme of critically acclaimed Americana darling Jessica Lea Mayfield (who is fromOhio, so not exactly Southern), but delivered briskly. The song then whisksinto a lovely harmonized refrain of “I don’t want to go to work/All I want todo is stay in bed with you” - a simple sentiment that succinctly captures thatfeeling of falling in love at the beginning of a relationship, talking into thewee hours, wanting to spend every minute together and making yourselves latefor work. Anyone that’s fallen in love in that manner should relate to it.
That outlook carries into the next track “Have It All,”which is equally catching. The sentiment - “Seems like we’re all eithersearching for something or someone/Sometimes we settle for anything or anyone/What’ssay we take the fall...we had those feeling whenever we was young andunafraid to have it all” - is more mature and reflective, as if looking back ona time when the romantic risks of the opening track were the norm. It could actuallybe interpreted as a critique on relationships, getting older, or even the way someconsumers accept whatever’s easiest (mainstream radio, reality TV) and closestto access as they get older instead of seeking out quality in entertainment.That may be reading too much into it, but I like it when a song works onseveral different levels and allows the listener to come to a conclusion - and morethan one at that.
“I’m No Good” is more of a downhome boot stomper andprobably a bit less resonant than some of the more emotionally-anchored tracks.But as a faster, upbeat track it could be one of the strongest live.
The harmonies and instrumentation recall early AvettBrothers. “Stupid Little Songs” is marked by the same raw, rugged feel andharmonies that blend well without the singers’ voices all mashing together. Youcan hear the highs, the lows, and the in-betweens. Those qualities are most notableon the final track “The Odds."  Itsmatter-of-fact delivery of lines like “Don’t forget where you came from…we mustall overcome” also remind me of those Avetts’ lines that inspire massive crowds to sing along often loudly overtaking the band.
Sinners & Saints play Snug Harbor Friday with BlackIron Gathering and Antique Animals. 9 p.m. $5. 704-333-9799; www.snugrock.com (Photo courtesy of the band's site at http://www.reverbnation.com/sinnersandsaintsnc)

Avetts set release date

To contact us Click HERE
The Avett Brothers announced today that it will release its anxiously awaited new album "The Carpenter" on September 11. The band posted the following message on Facebook this morning: 


"Today we are excited to announce that on the eleventh of September, we will release our 6th full length album, THE CARPENTER. The second song on the record, 'Live and Die' is available today NPR Music for anyone who would like to hear it. A continued thanks to all those who support us in our artistic pursuits and our ongoing travels. See you soon... -THE AVETT BROTHERS"


The Concord band, who plays the Vancouver International Jazz Festival today, performed the song "Murder in the City" last Thursday on "Conan." Readers may remember Conan O'Brien gave the band its first national late night talk show debut a few years back when he was still on NBC. You can watch the clip above. 



Chocolate Drops drop into Mint Wednesday

To contact us Click HERE
Grammy winning trio the Carolina Chocolate Drops return to their home state Wednesday for a performance at The Mint Museum Uptown as part of the opening reception for "Hard Truths: The Art of Thornton Dial." Dial - a renowned African-American artist from Alabama who is now in his eighties - will also be on hand as the museum's special guest of honor. The string band's music is a fitting companion for Dial's work because both draw on similar eras of Southern African-American traditions.

Tickets for the reception and concert range from $50 for members to $75 for non-members. The reception begins at 6 p.m. The Mint Museum Uptown is part of Levine Center for the Arts on S. Tryon St. You can find tickets here.

The Chocolate Drops' latest album, "Leaving Eden," was released in February.

This week's hot concerts

To contact us Click HERE

Chiddy Bang8 p.m. Friday, June 29, Amos’, 1423 S. Tryon St. $15/$50 VIP(includes Meet and Greet & photo opp). www.etix.comThe hip-hop duo headlines Kiss95.1’s Summer Jam displaying its knack for splicing childlike hooksinto irresistibly fun hits like “Mind Your Manners” and “Opposite of Adults.” Australian DJ Havana Brown (“We Run theNight”) also performs.
BubonikFunk10:30 p.m. Friday, June 29, EveningMuse, 3227 N. Davidson St. $5. 704-376-3737.The bluesy jam band celebrates therelease of its new album, “Zabooki,” which seems to find the Charlotte actfocusing more closely on its lyrics and vocals amid veering between funkyatmospherics and fun and quirky rock workouts.
S.O. Stereo/Local Traumatic8 p.m. Saturday, June 30, Amos’, 1423S. Tryon St. $8. 704-377-6874. Long one to watch, this Charlotte quartet continues to evolve as a formidable pop-rock unit whose work has appeared on Showtime's "Shameless" and "The Vampire Diaries" (where its frontman was even hypnotized into backing one of the main characters onstage). Its paired with young female fronted up and comer the Local Traumatic.
Groove 810 p.m. Saturday, June 30, Double Door, 1218 CharlottetownAve. $7. 704-376-1446. Before embarking on its annual West Coast tour thisCharlotte jazz-funk institution (members hail from Audioform and TheX-Periment) celebrates the release of its latest album, which deliverseverything from Latin jazz to funky R&B to cinematic retro flavor whilefeaturing vocals for the first time.
Fresh Music Festival 7 p.m. Sunday, July 1. Time Warner Cable Arena, 333 E. TradeSt. $52-$90.10. www.ticketmaster.com Doug E. Fresh hosts this hip-hop and R&B flashback,which includes native sons K-Ci (recently seen on stage and in the crowd atMay’s New Edition concert) and JoJo, Keith Sweat, SWV, and Guy.
Hellbound Glory8 p.m. Sunday, July 1, Tremont, 400 W. Tremont Ave. $8. www.etix.com The Reno outfit makes modern outlaw country that’s far removedfrom today’s glossy Nashville. Instead its songs of drinking and hard livingresonate with lived-in grittiness, gruff vocals, and lines like “I’m spittin’blood but still running my mouth.”
Coldplay/Robyn 7 p.m. Tuesday, July 3. Time Warner Cable Arena.$38.45-$116.60. www.ticketmaster.com The British rock band create a revival-like atmosphere that's cemented its as a pop force. Swedishdance pop’s Robyn creates a spectacle with irresistible songs, space agefashion risks and wacky dancing.
Foxy Shazam7 p.m. Tuesday, July 3. Amos’, 1423 S. Tryon St. $10.65. www.etix.com As an opening act, this live force usually steals the show.As a headliner the over-the-top, Queen-like glam throwback spins positive arena-ready anthems with all of its members oozingcharisma and character on stage. 

Review: Bubonik Funk "Zabooki"

To contact us Click HERE

Bubonik Funk’s third release “Zabooki” begins with a typicalblues lick, but the direction and scope grows from there. When the fourthtrack “Mung Beans” bursts from the speakers with vocalist Dylan Ellettdeclaring “Life isn’t fair!” like the extroverted offspring of Anthony Keidisand David Lee Roth, the group really hits its stride. Ellett approaches thehalf rapped vocals like a blues singer while guitarist Stefan Kallandarprovides playful notes that are just as engaging as the lyrics about origamibirds and a cane-playing bum that fancies himself a member of ZZ Top. Itescalates into a fun guitar workout even adding some bouncy, subtle horns tothe track's close.
Since the Charlotte jam-funk quartet’s first EP, “OTB,” in2008 the band’s arrangements and vocals have become more refined. Ellett’s low raspyvocals and interplay with Kallandar is more seamless. The directionisn’t always obvious. Take “Organized Crime.” It swells into a soulful funkwith a nice layer of backing vocals, while “Mystic Feeney” grows from ahypnotic intro that’s fairly serious and sympathetic to its subject into a wildblues-funk romp about mental instability and hallucination. The dynamics driveit back and forth between those two extremes. That approach works well considering its subject matter.
“Baby Equipment,” which closes the album, is another highlight.With its synthed-up bop-bop-bop-bop verses it’s easy to imagine it on classicrock radio (although it varies between `70s and `80s in feel). But it wouldalso fit on modern rock radio today. And while guitar solos can often soundstuck-on last minute and extravagant (more for the player than the song), “Baby Equipment” includesone of the most fitting solos in recent memory. It begins with an irresistiblyclassic feel then swerves into a psychedelic funk frenzy of wah wah anddistortion aided noodling.
As usual the lyrics are quirky and interesting. I can’t tellif the vocals are a more prominent part of the mix on this record, but thelyrics certainly draw listeners in. Some are direct such as “This’llBe the Day” - a hopeful tale of romantic chase - and “Mystic Feeney,” whichriffs on mental illness. Others, like “Organized Crime,” are moremysterious (“My trophy wife bites”, huh?).

The songs sound less improvisational and more intentional,possibly because some of them were written through email exchanges while itsmembers were off at college. Bubonik Funk didn't seem absent from theCharlotte music scene because it’s gigged fairly regularly, but in actualitytonight’s show at Evening Muse marks its first in four years as a trulyCharlotte-based band. In that time Kallander has studied music at Berklee inBoston while Ellett (who also plays keys) was at Eastern Carolina Universitystudying film. Meanwhile the rhythm section of Daniel Allison (drums) and NickMcOwen (bass) remained in town.

The band celebrates the release of “Zabooki” tonight, June29, at Evening Muse at 10:30 p.m. with Vagabond Swing. Admission is $5 to $7.704-376-3737; www.eveningmuse.com

1 Temmuz 2012 Pazar

Stock Footage: Advantages and How to Get Them Right?

To contact us Click HERE
In case you are looking for ways of becoming famous, your drive should not be the money. The road to fame can prove very challenging and therefore, if all you want is the money; it might take a long time to become a reality. The tips on how to become famous are about working hard to improve on your exceptional qualities.

Edgar Degas
plantes par correspondance
medecine douce
creme anti ride
produits bio

Get Quality Sound With the Bosch PB 360 D

To contact us Click HERE
For many of the Romantic era composers, the writing of symphonies presented problems, especially with the use of sonata form. The great symphonic composers like Beethoven, Mozart, Haydn and even Bruckner used themes when they used sonata form while the Romantics used melodies. What created the problem was the differences between a theme and a melody.

Robert Motherwell
voyage a dubai
Jesus Christ
choisir un systeme d"alarme
Andre Derain